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Rodney Sturt Taylor (11 January 1930 – 7 January 2015) was an Australian actor. He appeared in more than 50 feature films, including (1965), Nobody Runs Forever (1968), The Train Robbers (1973), and A Matter of Wife... and Death (1975).

Taylor was born in Lidcombe, a suburb of , to a father who was a steel construction contractor and commercial artist and a mother who was a children's author. He began taking art classes in high school, and continued in college. He decided to become an actor after seeing in an Old Vic touring production of Richard III.

His first film role was in a re-enactment of 's voyage down the Murrumbidgee and rivers, playing Sturt's offsider, . At the time, he was also appearing in a number of theatre productions for Australia's Mercury Theatre. He made his feature film debut in the Australian Lee Robinson film King of the Coral Sea (1954). He soon started acting in television films, portraying several different characters in the 1950s Studio 57.

He started to gain popularity after starring in The Time Machine (1960), as H. George Wells. He later starred in the Disney film One Hundred and One Dalmatians (1961), voicing Pongo. In one of his most famous roles, he played Mitch Brenner in The Birds (1963), directed by . By the late 1990s, Taylor had moved into semiretirement. His final film role was in Quentin Tarantino's Inglourious Basterds (2009), portraying Winston Churchill in a cameo.


Early life
Taylor was born on 11 January 1930Birth Announcements. Sydney Morning Herald. 18 January 1930. page 16. in Lidcombe, a suburb of Sydney, the only child of William Sturt Taylor, a steel construction contractor and commercial artist, and Mona Taylor (née Thompson), a writer of more than a hundred short stories and children's books. His middle name comes from his great-great-granduncle, Captain , a British explorer of the Australian in the 19th century.

Taylor attended Parramatta High School and later studied at the East Sydney Technical and Fine Arts College and took art classes. His mother wanted him to be an artist, and pressured him into taking the art classes. While at the tech he met young potter David Boyd and with their respective companions began a pottery concern., August 14 1949. Four Young Artists have Success with Ceramics.(Official Rod Taylor site)[1] For a time he worked as a commercial artist, but he decided to become an actor after seeing Laurence Olivier in an Old Vic touring production of Richard III.

(2026). 9781593935115, Bear Manor Media.
He had caught .


Career

Australia
Taylor acquired extensive radio and stage experience in Australia, where his radio work included a period in the historic run of Blue Hills, the daytime and a role as a vocally convincing . Earlier in his career, he had to support himself by working at Sydney's Mark Foy's department store, designing and painting window and other displays during the day. But his radio work was soon at the forefront of his life, making a great impact playing in a series to dramatize the narrative of 's biography Reach for the Sky. In 1951, he took part in a re-enactment of Charles Sturt's voyage down the Murrumbidgee and Murray Rivers, playing Sturt's offsider, George Macleay. A short documentary, Inland with Sturt (1951), was based on it. Taylor also appeared in a number of theatre productions for Australia's Mercury Theatre.

Taylor made his feature-film debut in the Australian Lee Robinson film King of the Coral Sea (1954), playing an American. He later played in a Hollywood-financed film shot in Sydney, Long John Silver (1954), an unofficial sequel to . Following these two films, Taylor was awarded the 1954 Rola Show Australian Radio Actor of the Year Award, which included a ticket to London via Los Angeles, but Taylor did not continue on to London.


Hollywood
Taylor soon landed roles in television shows such as Studio 57 and the films Hell on Frisco Bay (1955) and Giant (1956). In 1955, he guest-starred as Clancy in the third episode ("The Argonauts") of the first hour-long Western television series, Cheyenne, an ABC program starring .

Toward the end of 1955, Taylor unsuccessfully to play boxer in Metro-Goldwyn-Mayer's Somebody Up There Likes Me after 's death, but his use of a Brooklyn accent and physical prowess in the test impressed the studio enough to give him a long-term contract. At MGM, he played a series of supporting roles in The Catered Affair (1956),Saragossi, Steve. "Taylor-Made". . Vol. 7, Issue 19 (2011). Raintree County (1957), and Ask Any Girl (1959). He had a significant role in Separate Tables (1958), which won for two of its stars, and . He also made a strong impression guest-starring in an episode of The Twilight Zone titled "And When the Sky Was Opened" (1959).


Stardom
Taylor's first leading role in a feature film was in The Time Machine (1960), 's adaptation of the science-fiction classic by H. G. Wells, with Taylor as the time traveller who, thousands of years in the future, falls for a woman played by . Taylor played a character not unlike that of his Twilight Zone episode of a year earlier and the film World Without End in 1956.

In or around 1960, he was approached regarding the role of in the first feature-length Bond film. Taylor reportedly declined to become involved because he considered the character of Bond "beneath him".Juddery, Mark (13 January 2015). "Rod Taylor, the Hollywood star, who never forgot he was an Aussie". The Sydney Morning Herald. Retrieved 7 September 2018. Taylor later commented: "Every time a new Bond picture became a smash hit ... I tore out my hair."

Taylor starred in Alfred Hitchcock's horror thriller The Birds (1963), along with , Suzanne Pleshette, , and Veronica Cartwright, playing a man whose town and home come under attack by menacing birds. Taylor then starred with in the romantic comedy Sunday in New York (also 1963).

During the mid-1960s, Taylor worked mostly for MGM. His credits including The V.I.P.s (1963), his first feature-film role as an Australian, with , , and ; Fate Is the Hunter (for 20th Century Fox, 1964) with and Suzanne Pleshette; 36 Hours (1964) with ; (1965) with and Maggie Smith; The Liquidator (1965) with Jill St. John; Do Not Disturb (1965); and The Glass Bottom Boat (1966), both co-starring .

He began to change his image toward the end of the decade to more tough-guy roles, such as Chuka (1967), which he also produced, and he starred in Hotel (1967) with ; Dark of the Sun (or The Mercenaries, 1968), again with Yvette Mimieux; Nobody Runs Forever (1968) in which he played New South Wales Police Sergeant , this being Taylor's first starring feature-film role as an Australian; and Darker than Amber (1970) as .

He was also reportedly up for the role of martial artist Roper in the vehicle Enter the Dragon (1973). The film was directed by , who had also directed Taylor in Darker than Amber. Taylor was supposedly deemed too tall for the part, and the role instead went to . City On Fire (audio commentatary)


Later career
In 1973, Taylor was cast in The Train Robbers alongside long-time friend and . The film was a box-office success. Taylor also had some television roles: he starred in Bearcats! (1971) on and in The Oregon Trail (1976) on NBC. He had a regular role in the short-lived spy drama series Masquerade (1983), and played one of the leads in the equally short-lived series, Outlaws (1986). From 1988 to 1990, Taylor appeared in the CBS drama series as , playing opposite . In the mid-1990s, he appeared in several episodes of Murder, She Wrote and Walker, Texas Ranger.

In 1993, he hosted the documentary . The special ended with a minisequel written by David Duncan, the screenwriter of the film. Taylor recreated his role as George, reuniting him with Filby ().

Taylor returned to Australia several times over the years to make films, playing a 1920s traveling showman in The Picture Show Man (1977) and a paid killer in On the Run (1983). In the black comedy Welcome to Woop Woop (1997), he played the foul-mouthed redneck Daddy-O.

By the late 1990s, Taylor had moved into semiretirement. In 2007, he appeared in the horror telemovie Kaw, which revisits the idea of marauding birds turning on their human tormentors. In this film, however, the cause of the disturbance was discovered by Taylor, who plays the town doctor. He appeared in Quentin Tarantino's Inglourious Basterds in 2009, portraying Winston Churchill in a cameo. In 2017, a documentary on Taylor's life, Pulling No Punches, was released and entered into the Beverly Hills Film Festival.


Personal life
His first wife was model Peggy Williams (1951–1954). They divorced after allegations of domestic violence. Taylor later claimed that they divorced because they felt they were too young to have a healthy marriage. Taylor dated and was briefly engaged to Swedish actress in the early 1960s. He dated model Pat Sheehan in the late 1960s.
(2026). 9780578682822, Sequoia Press.

His second marriage, to model Mary Hilem, lasted from 1963 until they divorced in 1969. The couple had one daughter, former financial reporter (1964-2023). Taylor bought a home in Palm Springs, California, in 1967.

(2026). 9781479328598, Horatio Limburger Oglethorpe.

He married his third wife, Carol Kikumura, in 1980. They had originally dated in the early 1960s when she was an extra on his TV series Hong Kong. The couple got back together in 1971 and dated for an additional nine years before marrying.


Death
Taylor died of a heart attack at his home, surrounded by his family, on 7 January 2015, in Beverly Hills, California, four days before his 85th birthday.


Filmography

Feature films
Long John Silver

Top GunLem Sutter

World Without EndHerbert Ellis

The Catered AffairRalph Halloran

GiantSir David Karfrey

The RackAlUncredited

1957Raintree CountyGarwood B. Jones

Separate TablesCharles

1959Ask Any GirlRoss Tayford

Colossus and the Amazon QueenPirro

1961One Hundred and One DalmatiansPongoVoice role

1962Seven Seas to Calais

The V.I.P.sLes Mangrum

A Gathering of EaglesCol. Hollis Farr

Sunday in New YorkMike Mitchell

1964Fate Is the HunterCapt. Jack Savage

John Cassidy

The LiquidatorBoysie Oakes

Do Not DisturbMike Harper

1966The Glass Bottom BoatBruce Templeton

ChukaChuka

Nobody Runs ForeverScobie Malonea.k.a. The High Commissioner

The Hell with HeroesBrynie MacKay

Darker than AmberTravis McGee

The Man Who Had Power Over WomenPeter Reaney

1971PowderkegHank BrackettTV movie/pilot for Bearcats!

1972Jason CarlyleTV movie

Gli eroiLieutenant Bob Robsona.k.a. The Heroes

Trader Horn

The Deadly TrackersFrank Brand

1974Markoa.k.a. Partizani

1975A Matter of Wife... and DeathShamus McCoyTV movie

The Oregon TrailEvan ThorpeTV series

The Picture Show ManPalmer

1979The Treasure SeekersMarian Casey

1980Cry of the InnocentSteve DoneginTV movie

1981Jacqueline Bouvier Kennedy'Black Jack' BouvierTV movie

A Time to DieJack Bailey

On the RunMr. Payatta

1984Terror in the AislesHimself (stock footage)

Half Nelson TV series

Mask of MurderSupt. Bob McLaine

1991Danielle Steel's 'Palomino'Bill KingTV movie

1992Grass RootsGen. WilloughbyTV movie

Point of BetrayalTed Kitteridge

1997Welcome to Woop WoopDaddy-O

1998General SorensonTV movie

2007KawDocTV movie

2009Inglourious BasterdsWinston ChurchillFinal film role


Documentaries
  • Inland with Sturt (1951) as George Mcleady
  • The Fantasy Film Worlds of George Pal (1985)
  • (1993)
  • All About the Birds (2000)
  • (2008)
  • Pulling No Punches (2016)


Television

As a regular
Taylor had several lead roles in television, from the early 1960s to the early first decade of the 21st century. Among his television shows as a regular are:
  • Hong Kong with co-star (1960, ABC)
  • Bearcats! (1971, CBS)
  • The Oregon Trail as Evan Thorpe, a widower taking his three children from their farm to the Pacific Northwest by way of the (1977, NBC)
  • Masquerade (1983)
  • Outlaws (1986)


Guest appearances
  • Studio 57 (1955) – "The Last Day on Earth", "The Black Sheep's Daughter"
  • Lux Video Theatre (1955) – "Dark Tribute", "The Browning Version"
  • Cheyenne (1955) – "The Argonauts"
  • Suspicion (1957) – "The Story of Marjorie Reardon"
  • Schlitz Playhouse of Stars (1958) – "A Thing to Fight For"
  • Studio One (1958) – "Image of Fear"
  • Lux Playhouse (1958) – "The Best House in the Valley"
  • Playhouse 90 (1958–59) – "Verdict of Three", "The Long March", The Great Gatsby, "The Raider", "Misalliance"
  • The Twilight Zone (1959) – "And When the Sky Was Opened"
  • Dick Powell's Zane Grey Theatre (1960) – "Picture of Sal"
  • (1960) – "Capital Gains"
  • General Electric Theater (1960) – "Early to Die", "The Young Years"
  • Westinghouse Desilu Playhouse (1960) – "Thunder in the Night"
  • Bus Stop (1961) – "Portrait of a Hero"
  • The DuPont Show of the Week (1962) – "The Ordeal of Dr. Shannon"
  • Tales of the Unexpected (TV series) (1980) – "The Hitch-Hiker"
  • (1988–1990) as
  • Murder, She Wrote (1995) – "Another Killing in Cork", "Nan's Ghost Parts 1 and 2"
  • Walker, Texas Ranger (1996–1997, 2000) – "Redemption", "Texas vs. Cahill", "Wedding Bells"


Theatre credits
  • Julius Caesar by William Shakespeare (Independent, 1950)
  • Home of the Brave by (Independent, 1950)
  • Misalliance by George Bernard Shaw (John Alden Company, 1951)
  • Twins by (Mercury, 1952)
  • The Comedy of Errors by William Shakespeare (Mercury, 1952)
  • The Witch by John Masefield (Mercury, 1952)
  • They Knew What They Wanted by (Mercury, 1952)
  • The Happy Time by Samuel A. Taylor (Mercury, 1953)


External links

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